Zildjian K 20-Inch Ride Cymbal Price in India, Specifications, Reviews & Offers. Buy online at Amazon . Compare Prices and Save!

Yeah, compare this to some 24 ride, now I know why I’m not much a fan of my 20
I don´t know the cymbal´s sound here is very muffled it kind of sounds bad. However I know it sounds great from other recordings in live performances or companyes selling it. Awesome cymbal.
I’m partial to Sabian but I recorded my upcoming record with this ride and fell in love with it instantly I must say if I was a Zildjian guy, I’d definitely be using the K line along with the K constantinople line. So earthy, warm, and full yet powerful
Owned one of these for a little over a decade and it aged beautifully. Sounds better to me everyday.
perfect
Hi! Thanks for the reference sounds. I have a 20" K ride in my setup right now but I'm not 100% happy with it. I'd like to have a more controlled sound (less crashiness / sizzle) but with the same sharp, strong bell, attack and loudness. I was thinking about the dry K Customs but they can kind of lack the clarity. What cymbals should I look for, in your opinion, from the Zildjian lineup?
the best
So verstile ⚘
That's my Dream
What crash did you use on this video?
Love the bell
Excelente sonido versátil y balanceado.
My ride!
I have this cymbal but it's overweight on the top side,.
What the hell did they do to the special dry? I mean, there's a place for that level of dissonance, but maybe a *trash* special dry ride.
Isn’t the 20+ year old K the K custom session ride? We use one at my indoor group and they look pretty dang similar
I was mesmerized. I forgot to listen to the beat, that simple, but sweet beat! Thanks guys!
I don’t care what any of you guys say You can not beat a Sabian 20” dry Monarch ride cymbal
Almost sounds like a boat they rev the engine while flushing stuff out hence the over board revving
If anything, this highlights the fact that Zildjian are yet to design a ride as nice as the Meinl Polyphonic ride.
Love my 22" A Custom
I just wanna throw a wrench in the discussion. Not in d$#k way though My favorite is the Paiste 2002 22inch ride. Clean, crisp, defined, great bell. Love mine. Have a few Zildjian K those 2002's
over 6 minutes of stupid BS before any demo beginsawful!
My favourite was the one that Stephen kept hitting
get the impression both drummers cannot really "ride " cymbals , all the same hits on the same place , no accents , no triplets . Makes me sad.
Hey Stephen Clark would you stop hitting them to be purposely washy It’d be nice to hear some stick definition!
Sounds like an outboard boat motor
10:26 I think that's the standard 20" K Custom Ride. Brilliant finish, brilliant tone, virtually uncrashable.
I have a 22cm I series ride cymbil a 20cm acrash 16 cm acrash14 cm a crash ride 18 cm a splash 10 inch cm a And two sets of a 14 hi hats and a 13 Hi hats all Zildjian I series they don't ring out a lot For worship music they sound great cause don't carry on out to long I can get a lot of carry out longer if want to with them . I see most dont use The Zildjian I Series cymbils.
The 22" renaissance is actually meant to be the driest of the K cons.
The dad humor is overpowering in this video
I know this is a year old video, but I'm just about to start trying to learn how to record my own drums and I'm trying to figure out what cymbals I need to get to make that process as easy as possible starting out. I've always been a fan of and mostly use larger cymbals. To be exact, at the moment I have Paiste 2002 24" ride (which I also use as a crash), 20" 2002 crash, 20" 2002 Wild crash, and sometimes I'll throw up my 24" Wuhan China when I want to get real trashy and loud. Pretty sure I have hi hats covered because in addition to my Paiste Dimensions Crunch hats, I also have a set of 14" Zildjian K Custom Dark hats. Tried using them jamming some and they did not cut through at all, so I'm assuming they'd be fine under the mics. Since this video is specifically about ride cymbals, what would be a good ride choice that sounds good when crashed, has good wash when played towards the edge, but also has a bell that will cut through? I often only use one of my 20" "crash" cymbals and then my 24" 2002 as a crash/ride, so being able to crash on a ride is somewhat important, but I know recording is vastly different from a live situation. It's been a while, but back when I used to play a lot, I believe every time whatever band I was in went to record, I had to borrow different cymbals from friends because the engineers always said mine were too overpowering. I'd greatly appreciate any tips. I've used Zildjian 21" A sweet and 20" K Custom Dark rides in past and like them, but I used them as crashes, not rides. I've been considering the 23" A Sweet ride, but then I'm not sure that's not too big for recording drums in a fairly small room.
My favourite is the old custom special dry K’s. Very dry, warm and dull when played direct without sounding “tinny” or trashy. Lots of low end with a polite amount of resonance. Yet when played in a more heavier, washed out fashion, they instantly open up and come to life with tons of sustain and depth. Still very warm, still lower in tone then average, but they sing. I’ve never been able to stand bright cymbals with lots of high end “ping”. Live I find it so distracting. At the same time, a lot these new dry and dark cymbals I hear coming out sound either extremely flat and trashy, or they have tons of resonance bleeding through and drown everything out.
K sweet was my favorite